Overview
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I AM THE NIGHT
Finishing, retouching, and color correction for TBS via Palaceworks Inc. | Designed by: Caelin White.
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CAPTAIN AMERICA: CIVIL WAR
Character retouching assistance on (War Machine, Vision). Masking/compositing/hair detail on (Iron Man, Hawkeye, Scarlet Witch, Black Widow). Worked under Senior Finisher: Ashley LaCasse Via: Daniel Clark & Associates, [www.danielclark.com]
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Billboard Magazine
Prepress / color correction and additional retouching for press via Prometheus Global Media.
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The Hollywood Reporter
Prepress / color correction and additional retouching for press via Prometheus Global Media. | Photography: Miller Mobley
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Harpers Bazaar UK
Fashion editorial retouching via Hyperion Digital. | Photography: Mark Segal
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Playboy Magazine
Color Correction for press. | Photography: Mert & Marcus
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Playboy Magazine
Color Correction for press. | Photography: Mert & Marcus
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Harpers Bazaar UK
Fashion editorial retouching via Hyperion Digital. | Photography: Mark Segal
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Harpers Bazaar UK
Fashion editorial retouching via Hyperion Digital. | Photography: Mark Segal
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Harpers Bazaar UK
Fashion editorial retouching via Hyperion Digital. | Photography: Mark Segal
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Harpers Bazaar UK
Fashion editorial retouching via Hyperion Digital. | Photography: Mark Segal
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Louis Vuitton
Fashion editorial retouching via Hyperion Digital. | Photography: Mark Segal
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Louis Vuitton
Cover retouching, compositing, and digital painting (for image extension see "Process" page) via Hyperion Digital. | Photography: Mark Segal
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Louis Vuitton
Catalogue / Lookbook retouching via Hyperion Digital. | Photography: Mark Segal
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Louis Vuitton
Catalogue / Lookbook retouching via Hyperion Digital. | Photography: Mark Segal
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Louis Vuitton
Catalogue / Lookbook retouching via Hyperion Digital. | Photography: Mark Segal
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Playboy Magazine
Color Correction for press. | Photography: Mert & Marcus
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The Hollywood Reporter
Prepress / Color correction for press via Prometheus Global Media.
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Louis Vuitton
Catalogue / Lookbook retouching via Hyperion Digital. | Photography: Mark Segal
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Bullett Magazine
Editorial retouching via Hyperion Digital | Photography: Hilary Walsh
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Playboy Magazine
Color correction and retouch for prepress. | Photography: Mert & Marcus
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Louis Vuitton
Catalogue / Lookbook retouching via Hyperion Digital. | Photography: Mark Segal
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Louis Vuitton
Catalogue / Lookbook retouching via Hyperion Digital. | Photography: Mark Segal
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Louis Vuitton
Catalogue / Lookbook retouching via Hyperion Digital. | Photography: Mark Segal
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Bullett Magazine
Editorial retouching via Hyperion Digital | Photography: Hilary Walsh
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Playboy Magazine
Retouching, compositing, color correction for press. | Photography: Tony Kelly
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Billboard Magazine
Prepress / color correction and retouching for press via Prometheus Global Media.
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LA Times Magazine
Cover retouching via Hyperion Digital | Photography: Mark Segal
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Matsuda
Ditigal painting, compositing, and finishing for Matsuda Eyewear Campaign. | Photography: Christopher Greco
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Vogue China
Editorial retouching via Hyperion Digital | Photography: Mark Segal
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Vogue China
Editorial retouching via Hyperion Digital | Photography: Mark Segal
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Vogue China
Editorial retouching via Hyperion Digital | Photography: Mark Segal
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TAKEN!
Cover retouching for Tony Kelly Photography
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The Hollywood Reporter
Prepress / Color correction for press via Prometheus Global Media. | Photography: Joe Pugliese
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Playboy Magazine
Color correction and additional retouching for press. | Photography: Gavin Bond
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Matsuda
Ditigal painting, compositing, and finishing for Matsuda Eyewear Campaign. | Photography: Christopher Greco
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THE PUNISHER
Character retouching & masking for Netflix/Marvel via GNET Agency. | Layout & Design by GNET.
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DAZED & CONFUSED
Editorial retouching via Hyperion Digital. | Photography: Mark Segal
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DAZED & CONFUSED
Cover retouching via Hyperion Digital. | Photography: Mark Segal
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Playboy Magazine
Photography: Mert & Marcus | Color Correction for press: Oscar Rodriguez
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Louis Vuitton
Cover retouching via Hyperion Digital. | Photography: Mark Segal
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Altered Carbon
Character retouching, masking, and color correction for Netflix via GNET Agency. | Final build and neck effect by Caelin White.
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Bullett Magazine
Cover retouch assistance via Hyperion Digital | Photography: Hilary Walsh
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The Hollywood Reporter
Prepress / color correction and additional retouching for press via Prometheus Global Media.
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The Hollywood Reporter
Color correction, masking, and additional retouching for press via Prometheus Global Media. | Photography: Miller Mobley
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Louis Vuitton
Catalogue / Lookbook retouching via Hyperion Digital. | Photography: Mark Segal
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Louis Vuitton
Catalogue / Lookbook retouching via Hyperion Digital. | Photography: Mark Segal
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Surfer Magazine
Panoramic composite and color correction for press via Quebecor World Inc.
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Matsuda
Ditigal painting, compositing, and finishing for Matsuda Eyewear Campaign. | Photography: Christopher Greco
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000 Magazine
Cover retouching/compositing for 000 Magazine. Including prepress for some stories within the book.
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Louis Vuitton
Cover retouching via Hyperion Digital. | Photography: Mark Segal
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LA Times Magazine
Editorial retouching via Hyperion Digital. | Photography: Mark Segal
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The Hollywood Reporter
Color correction and masking for press via Prometheus Global Media.
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hobo magazine
Cover retouching via Hyperion Digital. | Photography: Mark Segal
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Matsuda
Ditigal painting, compositing, and finishing for Matsuda Eyewear Campaign. | Photography: Christopher Greco
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Playboy Magazine
Color correction for press. | Photography: Gavin Bond
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The Hollywood Reporter
Prepress / color correction, masking, additional retouching for press via Prometheus Global Media. | Photography: Miller Mobley
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Louis Vuitton
Catalogue / Lookbook retouching via Hyperion Digital. | Photography: Mark Segal
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Louis Vuitton
Catalogue / Lookbook retouching via Hyperion Digital. | Photography: Mark Segal
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hobo magazine
Editorial retouching via Hyperion Digital. | Photography: Mark Segal
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The Hollywood Reporter
Prepress / Color correction for press via Prometheus Global Media. | Photography: Miller Mobley
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LA Times Magazine
Cover retouching via Hyperion Digital | Photography: Mark Segal
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Matsuda
Ditigal painting, compositing, and finishing for Matsuda Eyewear Campaign. | Photography: Christopher Greco
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LAIRD + PARTNERS
Retouching for advertising campaign. | Photography: Alexei Hay
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Louis Vuitton
Catalogue / Lookbook retouching via Hyperion Digital. | Photography: Mark Segal
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Louis Vuitton
Catalogue / Lookbook retouching via Hyperion Digital. | Photography: Mark Segal
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Bergdorf Goodman
Fashion editorial retouching via Hyperion Digital. | Photography: Mark Segal
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Bergdorf Goodman
Fashion editorial retouching via Hyperion Digital. | Photography: Mark Segal
